Difference between revisions of "project07:Frontpage"
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| + | The Evolution of the cinema theater: | ||
| + | The first practice of moving picture projection began as early as 1790, with "magic lantern". Those machination created the illusion of movement and were tools for the amazement of a small crowd. The magical lantern did not required special space. The first projection and creation of actual movie relates to Lumiere Brothers (1894). Since then the era of silent movies began, and architecture and technology changed dramatically. | ||
| + | Cinema related at first to the world of theater. Theaters were made into cinemas by inserting a projector and placing a screen in front of the audience. Cinema theaters were able to provide one movie at a time. Since there was no sound up until 1927 – usually there was a special place for orchestra to play, or a pianist. The musicians usually used notes in accordance to the movie, but sometimes they just improvised. Those a visit to the "silence cinema" – was a combined experience of sound and image. In japan vocal players recreated the dialog for the movie, real-time acting while the movie rolled. | ||
| + | The achievement of synchronized sound and image shaped the history of cinema, both in actual movie production and architecture alike. Movies gain more popularity, and demand raised, in America it became welcomed while in Europe producers were afraid for the artistic value of the new technological movies. The stage for the orchestra was abolished, and movies became more coherent. | ||
| + | As cinema became more popular multiplex appeared – theaters that can project two or more movies at the same time. Old theaters were split and reshaped, in order to maximize profits. New cinemas attracts the public by adopting a wealthy and decorative style, or adopting a more innovative and modern style. A new approach of crowd control became prominent over the years, as cinemas grew in size. That lead to a separation of crowd (before the movie and after the movie) – and also to elaborate design of corridors. | ||
Revision as of 11:46, 20 September 2016
Ori Gilboa
The Evolution of the cinema theater: The first practice of moving picture projection began as early as 1790, with "magic lantern". Those machination created the illusion of movement and were tools for the amazement of a small crowd. The magical lantern did not required special space. The first projection and creation of actual movie relates to Lumiere Brothers (1894). Since then the era of silent movies began, and architecture and technology changed dramatically. Cinema related at first to the world of theater. Theaters were made into cinemas by inserting a projector and placing a screen in front of the audience. Cinema theaters were able to provide one movie at a time. Since there was no sound up until 1927 – usually there was a special place for orchestra to play, or a pianist. The musicians usually used notes in accordance to the movie, but sometimes they just improvised. Those a visit to the "silence cinema" – was a combined experience of sound and image. In japan vocal players recreated the dialog for the movie, real-time acting while the movie rolled. The achievement of synchronized sound and image shaped the history of cinema, both in actual movie production and architecture alike. Movies gain more popularity, and demand raised, in America it became welcomed while in Europe producers were afraid for the artistic value of the new technological movies. The stage for the orchestra was abolished, and movies became more coherent. As cinema became more popular multiplex appeared – theaters that can project two or more movies at the same time. Old theaters were split and reshaped, in order to maximize profits. New cinemas attracts the public by adopting a wealthy and decorative style, or adopting a more innovative and modern style. A new approach of crowd control became prominent over the years, as cinemas grew in size. That lead to a separation of crowd (before the movie and after the movie) – and also to elaborate design of corridors.
